Yet, any true U2 fan or post-punk aficionado will find a lot to love. October was never going to reach the heights of U2’s more mature work. Yet, the creativity and skill of this metronomic rhythm section packs enough punch to keep you listening. It took Bono and the Edge one more project to come into their own. and bassist Adam Clayton are the core that holds this spotty record together. More importantly, Gloria sees Bono approaching his lyrics with a sense of honesty and self-revelation.īut what of the rhythm section? Simply put, drummer Larry Mullen Jr. In this anthem, we find an early version of the Edge’s jangly guitar work and Bono learning to let his voice soar. Gloria, the opening track and closest thing to a radio hit on October, features many of the hallmarks of the classic U2 sound. In fact, the early stirrings of what would ultimately make U2 great pop up throughout their second record. ![]() The band’s debut, Boy, was far from a smash hit, making the lackluster October less a failure and more a learning experience. ![]() And many have dubbed U2’s sophomore outing as such a slump. We’ve all heard of the “sophomore slump”–that second project that just doesn’t seem to measure up to the stronger debut. October is probably the least-known of all U2 albums, but it’s still worth a listen.
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